Florence and the Machine Loved by Festival Goers

Filed under: Sounds — admin at 5:06 am on Wednesday, August 19, 2009

Lily Allen, Florence And The Machine and Robyn all starred as female-fronted acts dominated Gothenburg’s Way Out West festival at the weekend (August 13-15).

Allen headlined the Swedish bash with a fizzing set, while Florence Welch and co backed her up on the event’s tented stages.

However, it was local girl Robyn who stole the show, as she not only attracted a large crowd but played a series of covers in her set including Queen’s ‘I Want to Break Free’.

Elsewhere at the 25,000-capacity festival, Grizzly Bear performed a set largely drawn from latest album ‘Veckatimest’, while Antony & The Johnsons also proved one the weekend’s highlights.

The likes of My Bloody Valentine, Arctic Monkeys, Glasvegas and Patrick Wolf - the latter despite being relatively unknown in Sweden - played to large crowds, while Vampire Weekend took a break from the studio and braved the drizzle for their set, while Wolfmother, Nas and Basement Jaxx were also on the bill.

While Amy Winehouse, Lady Gaga and Lily Allen grab headlines with flashy behaviour, the commercial and critical success of Florence and the Machine, La Roux and Little Boots demonstrates the extent of current female talent.

“I guess it’s because right now everyone wants pop stars to be flamboyant and to live in an imaginary aesthetic world that they create with their music,” Emma-Lee Moss, who goes under the stage name Emmy the Great, told AFP.

Kanye West at Grand Prairie’s Nokia Theatre

Filed under: Sounds — admin at 4:02 am on Saturday, May 24, 2008

Once Again Kanye West proves his worth at an incredible show at Grand Prairie’s Nokia Theatre. Kanye’s performance is yet another exhibition of how Kanye West can make a name for himself by performing to a huge crowd and earning respect.

Kanye West is on cloud nine at the moment since his Late registration CD has sold more than 860,000 copies on its debut. But there is more to the story about respecting Kanye West.

Kanye had Fantasia Barrino (The last American Idol winner) open up for his concert, but she ended up not performing. Kanye, being a man of respect and honor, offered refunds to his fans, but there were hardly any takers. You see, once again, Kanye West proves his power, and shows the respect he commands from Kanye fans.

My man Kanye West is at it again, proving that no man of action, especially Kanye West, can sit without change. The new website is coming soon. We are totally excited and cant wait until Kanye releases this new phat joint.

In the meantime, Kanye West has two dope links to either of his fire-bombin joints: Gold Digger and Diamonds. Great tunes, totally expressing the need for Kanye West as president.

Kanye, keep up with the change. Just as the pioneers moves west, so does Kanye.

Kanye West will indeed show the American public that he is the only choice for Presdent of The United States.

Copyright © 2005. Tony Rocks

Discover the latet Fun and Satire of Kanye West as a Presidential Candidate
at http://kayne08.blogspot.com.

Piano Fingering - Was the Piano Created to Fit Our Hands or the Hands Have to Fit the Piano?

Filed under: Sounds — admin at 10:25 pm on Friday, May 16, 2008

Idea 1: fingering written on your music is only suggested fingering, it can be changed. Yes, you can experiment with the fingering and you will find there are several options, sometimes better solutions to fingering.

Idea 2: take a look at your hand and fingers. We have 3 long fingers, fingers 2, 3 and 4. Now look at the piano, there are sets of 2 black keys and sets of 3 blacks keys. See how easy it is, which fingers do you think go on the black keys?

The piano was made for the hand.
Long fingers reach easily on the black keys, and the thumb and 5 fingers on the white keys.

Idea 3: The thumb is short and stubby, but can move very easily. The thumb is a pivotal finger and when used as a pivotal finger repositions the hand to move up or down.

Example using the right hand: Play C, D, E, F, using fingers 1-2-3-4. Next, lift your thumb off the key of C, and “pivot” it under your hand and play the key G. Notice your hand position, you now have all of your fingers available to play new keys.

Idea 4: The 5 finger is only used when you finish playing the highest note in the right hand or the lowest note in the left hand. Why? Once you play the 5 finger, the hand is in a difficult position to pivot to a new position.

How to add your own fingering to a song. First, find the black keys and start experimenting with the long fingers. You will use a 2-3- or 4 finger on the black keys.

Next, add your 5 finger on the highest point in your music for the right hand, or the lowest point in the left hand.

Next, add the thumb. Place the thumb in the music at the point you will need to pivot the hand so you can reach notes higher or lower. The 2 finger will fall into place at this point.

If your song has all white notes, place your thumb on the keys needed to pivot the hand up or down.

Yes, this is a thinking process but you can do it. When your hand is comfortable on the keyboard, you will know you have the correct fingering.

Alana LaGrange is the founder of
Music and You -
A online piano lesson website teaching beginning piano through jazz piano. It’s fun to try the free piano lessons and play the free piano sheet music available. She has published piano lesson books, and is also an arranger and recording artist. http://www.musicandyou.com

Online Piano Lessons - Are They For You?

Filed under: Sounds — admin at 11:59 am on Monday, April 28, 2008

When most of us think about taking piano lessons, the last thing we think about is turning on our computer. But now, thanks to the Internet, you can take piano lessons online and learn from an online instructor. Let’s see how this might work.

First, you need a computer with speakers. Most computers today either come with speakers or have them built in. If you need them, they are relatively inexpensive and can be purchased at any electronics store. It’s important that your online lessons include audio samples. These will help you immensely as you get to hear your online teacher perform the example for you.

Second, you want to be able to communicate with the instructor. You’re going to have questions so make sure there is a message board or forum available for questions and comments. Also, make sure your instructor actually exists! There are some websites that say they provide feedback to students but this just may be an interactive forum with no instructor present.

Third, make sure the lessons you take are easy to understand. Do you want to learn classical piano? Then make sure the lessons you’ll be taking aren’t over your head. Do you want to learn how to improvise? Take a look around and see if you can actually do it from the examples provided.

Taking online piano lessons is a good choice for you if you like to work on your own and take your time. There’s usually no pressure to perform or complete tasks, so you can relax and work at your own pace.

Edward Weiss - EzineArticles Expert Author

Edward Weiss is a pianist/composer and webmaster of Quiescence Music’s online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!

Ukulele Tab: Learn To Play Scarborough Fair

Filed under: Sounds — admin at 2:21 pm on Thursday, April 3, 2008

In this ukulele lesson we will use the uke to play Scarborough Fair as a melody. You don’t need to know sheet music at all so let’s start!

Scarborough Fair is an English ballad and dates back to late medieval times. Scarborough was a host to a huge forty-five day fair.

The name Scarborough Fair is now used for a music festival held every year in Scarborough.

The first verse has the lyrics:

Are you going to Scarborough Fair?
Parsley, sage, rosemary and thyme
Remember me to one who lives there
She once was a true love of mine

In articles like this one I use my own form of ukulele tab to be sure that the tabs are readable on article sites.

You can find the more common ukulele tab staff on my site with ukulele tab, guitar tablature and free sheet music.

The string with the highest pitch on the ukulele is usually an A and is called the first string. This is the string nearest your feet when you play.

The first number indicates the fret. The second number tells you which string to play. Here is the first part of the melody with ukulele tab:

Are you going to Scarborough Fair?

23 23 01 31 01 02 12 02 23

23 indicates that you play the third string while pressing down the second fret with a left hand finger. 01 means that you play the first string without pressing down a left hand finger. It is called to play on the open first string.

We will not dicuss how to play with your right hand. I suggest that you play the notes with your right hand thumb but do as you like.

The ukulele tab notation doesn’t tell you the length of the notes. I leave it up to you to figure this out out.

Let’s play the next ukulele tab:

Parsley, sage, rosemary and thyme

01 31 51 31 01 21 32 01

51 means that you press down a left hand finger on the fifth fret on the first string. I haven’t told you anything about which left hand finger to press down on the frets on your ukulele yet.

You can of course use your first finger for all the notes but the best way to use your left hand fingers is to play the notes on the first fret with your first finger, the notes on the second fret with your long finger and the notes on your third fret with your ring finger.

It might be difficult at first but if you practice this fingerings it will actually be easier for you to find the right notes. You don’t even have to look at your fingers to find the right fret if you get used to this way of playing.

The notes on the fifth fret can be played with your ring finger as well.

Here comes the next ukulele tab and lyrics:

Remember me to one who lives there

51 51 51 31 01 01 32 12 02 03

The last ukulele tab and lyrics comes now:

She once was a true love of mine

23 01 32 12 02 23 03 23

Now you can play Scarborough Fair on your ukulele with ukulele tab!

Actually you can play this melody with the use of the above ukulele tab notation on a guitar also. The first three strings on a guitar are tuned the same way but not in the same pitch.

The best way to learn this melody is to take one line at a time and learn it by heart.

When you know the melody by heart you have the pleasure of being able to play the melody anytime and anywhere!

Peter Edvinsson is a musician, composer and music teacher. Visit his site Capotasto Music and download your free sheet music and ukulele tab at http://www.capotastomusic.com

Music & Intelligence: Will Listening to Music Make You Smarter?

Filed under: Sounds — admin at 11:58 am on Wednesday, April 2, 2008

Will listening to music make you smarter? Will learning to play a musical instrument make your brain grow larger than normal?

Questions like these ones have been popping up all over the place in the past few years, and not just in scientific journals either.

In recent times the media has been fascinated by the research surrounding brain development and music, eagerly reporting on the latest studies to the delight of the music-loving parents of young children.

But all this information - and some misinformation too - has led to generalized confusion about the role of music and music training in the development of the human brain. The bottom line is this: if you’re confused by all you read about music study and brain development, you’re certainly not alone.

In part, this is due to the manner in which the phrase “the Mozart Effect” has been popularized by the media and bandied about to describe any situation in which music has a positive effect on cognition or behavior.

In fact the Mozart Effect refers specifically to a 1993 research finding by Frances Rauscher, Gordon Shaw and Katherine Ky and published in the prestigious journal Nature. The scientists found that 36 college students who listened to 10 minutes of a Mozart sonata performed higher on a subsequent spatial-temporal task than after they listened to relaxation instructions or silence.

An enchanted media reported this interesting research as “Mozart makes you smarter” - a huge over-simplification of the original results.

As Rauscher explains in a later paper, the Mozart Effect was studied only in adults, lasted only for a few minutes and was found only for spatial temporal reasoning. Nevertheless, the finding has since launched an industry that includes books, CDs and websites claiming that listening to classical music can make children more intelligent.

The scientific controversy - not to mention the popular confusion - surrounding the Mozart Effect, has given rise to a corresponding perplexity for parents. They wonder: “Should my kids even bother with music education?”

In fact the answer to this question is still a resounding yes, since numerous research studies do prove that studying music contributes unequivocally to the positive development of the human brain. Other researchers have since replicated the original 1993 finding that listening to Mozart improves spatial reasoning. And further research by Rauscher and her colleagues in 1994 showed that after eight months of keyboard lessons, preschoolers demonstrated a 46% boost in their spatial reasoning IQ, a skill important for certain types of mathematical reasoning.

In particular, it is early music training that appears to most strengthen the connections between brain neurons and perhaps even leads to the establishment of new pathways. But research shows music training has more than a casual relationship to the long-term development of specific parts of the brain too.

In 1994 Discover magazine published an article which discussed research by Gottfried Schlaug, Herman Steinmetz and their colleagues at the University of Dusseldorf. The group compared magnetic resonance images (MRI) of the brains of 27 classically trained right-handed male piano or string players, with those of 27 right-handed male non-musicians.

Intriguingly, they found that in the musicians’ planum temporale - a brain structure associated with auditory processing - was bigger in the left hemisphere and smaller in the right than in the non-musicians. The musicians also had a thicker nerve-fiber tract between the hemisphere. The differences were especially striking among musicians who began training before the age of seven.

According to Shlaug, music study also promotes growth of the corpus callosum, a sort of bridge between the two hemispheres of the brain. He found that among musicians who started their training before the age of seven, the corpus callosum is 10-15% thicker than in non-musicians.

At the time, Schlaug and other researchers speculated that a larger corpus callosum might improve motor control by speeding up communication between the hemispheres.

Since then, a study by Dartmouth music psychologist Petr Janata published by Science in 2002, has confirmed that music prompts greater connectivity between the brains left and right hemisphere and between the areas responsible for emotion and memory, than does almost any other stimulus.

Janata led a team of scientists who reported some areas of the brain are 5% larger in expert musicians than they are in people with little or no musical training, and that the auditory cortex in professional musicians is 130% denser than in non-musicians. In fact, among musicians who began their musical studies in early childhood, the corpus callosum, a four-inch bundle of nerve fibers connecting the left and right sides of the brain, can be up to 15% larger.

While it is now clear from research studies that brain region connectivity and some types of spatial reasoning functionality is improved by music training, there is growing evidence that detailed and skilled motor movements are also enhanced.

Apparently the corpus callosum in musicians is essential for tasks such as finger coordination. Like a weight-lifter’s biceps, this portion of the brain enlarges to accommodate the increased labour assigned to it.

In a study conducted by Dr. Timo Krings and reported in Neuroscience Letters in 2000, pianists and non-musicians of the same age and sex were required to perform complex sequences of finger movements. The non-musicians were able to make the movements as correctly as the pianists, but less activity was detected in the pianists’ brains. The scientists concluded that compared to non-musicians, the brains of pianists are more efficient at making skilled movements.

The study of music definitely affects the human brain and its development, in a staggering number of ways. But what to make of all the research, especially in terms of deciding the best course of music study or appreciation for yourself or your offspring?

A 2000 article by N M Weinberger in MuSICA Research Notes makes the following excellent point: Although the Mozart Effect may not list up to the unjustified hopes of the public, it has brought widespread interest in music research to the public. And listening to ten minutes of Mozart could get someone interested in listening to more unfamiliar music, opening up new vistas.

Irregardless of the hype surrounding the Mozart Effect, the overall academic evidence for music study as a tool to aid brain development, is compelling.

At the University of California School of Medicine in San Francisco, Dr. Frank Wilson says his research shows instrumental practice enhances coordination, concentration and memory and also brings about the improvement of eyesight and hearing. His studies have shown that involvement in music connects and develops the motor systems of the brain, refining the entire neurological system in ways that cannot be done by any other activity. Dr. Wilson goes so far as to say he believes music instruction is actually ‘necessary’ for the total development of the brain.

So the bottom line is this: Music study and practice probably does aid in the development of the brain in various important ways. And after all, if you enjoy music, there is nothing to lose by trying, and everything to gain!

EzineArticles Expert Author Duane Shinn

Duane Shinn is the author of over 500 music books and products such as DVD’s, CD’s, musical games for kids, chord charts, musical software, and piano lesson instructional courses for adults. He holds an advanced degree from Southern Oregon University and was the founder of Piano University in Southern Oregon. He can be reached at http://www.pianolessonsbyvideo.com. He is the author of the popular free 101-week e-mail newsletter titled “Amazing Secrets Of Piano Chords & Sizzling Chord Progressions” with over 55,000 current subscribers. Those interested may obtain a free subscription by going to http://www.playpiano.com/